Facsimile of the piece in one of Matthew Holmes' Lute Books. This is a very clear image, and comparing it with the published transcriptions helped me to understand the calligraphy. |
There are 3 variations. The first keeps fairly closely to the melody, whilst the second and third deviate considerably. Indeed, since the second ends on the dominant chord (E major), numbers 2 & 3 could be regarded as parts of one variation.
Even in strain 1 the melody is sometimes buried in the lower voices. Variation 3 contains a number of descending scale fragments, as was Dowland’s wont. The “Solus cum sola” motif appears in bar 15.
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